“The Man Who Jumped Over the Moon”
What Drives Me
For me, it has never been about titles or credits. It is about chasing the feeling when an idea finally takes shape. It is when a sketch, a story, or a scene makes someone stop and feel something real.
I have spent my life protecting those fragile ideas, helping them survive all the noise long enough to matter. Whether it was on a film set, inside a design studio, or around a boardroom table, my mission has always been the same: find the human truth at the center and build from there. If the work connects, if it moves people, then it is worth doing. That’s the only measure that matters to me.
What Drives Me
For me, it has never been about titles or credits. It is about chasing the feeling when an idea finally takes shape. It is when a sketch, a story, or a scene makes someone stop and feel something real.
I have spent my life protecting those fragile ideas, helping them survive all the noise long enough to matter. Whether it was on a film set, inside a design studio, or around a boardroom table, my mission has always been the same: find the human truth at the center and build from there. If the work connects, if it moves people, then it is worth doing. That’s the only measure that matters to me.
Who is
Aaron Lenzini
From Chicago to Detroit
Los Angeles to London, Aaron Lenzini has spent his career bridging culture, brands, and storytelling.
He has worked with Spielberg, Michael Bay, Prince, Tom Brady and much more. Most recently, as Global Director of Creative Development at Aston Martin Design, he helped return the brand to Formula One and launch some of its most ambitious cars.
All this to reveal that his work is less about credits, and more about connections: between story and audience, idea and execution, artist and brand.
Who is
Aaron Lenzini
From Chicago to Detroit
Los Angeles to London, Aaron Lenzini has spent his career bridging culture, brands, and storytelling.
He has worked with Spielberg, Michael Bay, Prince, Tom Brady and much more. Most recently, as Global Director of Creative Development at Aston Martin Design, he helped return the brand to Formula One and launch some of its most ambitious cars.
All this to reveal that his work is less about credits, and more about connections: between story and audience, idea and execution, artist and brand.
Leo Burnett
CLASSICALLY TRAINED MEDIA PLANNING AND BUYING ACTIVITIES:
SPECIALIZED IN SPORTS AND ENTERTAINMENT CORRIDORS.
- Ryder Cup, Motorsports (Nascar & Indy Racing League).
- Olympics, Academy Awards, Broadcast, Cable, Print, and Internet.
GM EventWorks
Realizing Leverage
A Virtual Agency Becomes Real
Norm Marshall & Associates
Content is King!
Transformers
- Bumblebee
- Transformers best ad ever article
- Be cool pass
William Morris Agency
Bigger, Better Ideas…
More Efficiently
- Aaron & Mark Pellington.
- Aaron & Marek Reichman.
- Aaron & Marek Reichman.
Paradigm Talent Agency
All-in
“All-in” on Artists and the Arts
- Aaron & Stephen King (Set of IBM Shoot)
- Aaron & Vincent Kartheiser (Make up for KFC commercial)
Aston Martin Lagonda
Global Creative Marketing Director
Aston Return to Formula 1
- Aaron & Mark Pellington.
- Aaron & Marek Reichman.
- Aaron & Marek Reichman.
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How I Work
My Approach
Title 1
Every project is different, but my approach has always been consistent: listen first, act later. I like to start by understanding the people in the room, their values, their fears, their ambitions, before I add anything of my own. Ideas are fragile, and they need the right environment to grow.
Title 2
My role is often less about being the loudest voice and more about knowing when to push, when to protect, and when to let others shine. I believe the best work is born from trust, and I’ve been lucky to earn it from artists, brands, and teams all over the world.
How I Work
My Approach
TEXTO 1
Every project is different, but my approach has always been consistent: listen first, act later. I like to start by understanding the people in the room, their values, their fears, their ambitions, before I add anything of my own. Ideas are fragile, and they need the right environment to grow.
TEXTO 2
My role is often less about being the loudest voice and more about knowing when to push, when to protect, and when to let others shine. I believe the best work is born from trust, and I’ve been lucky to earn it from artists, brands, and teams all over the world.